« Giacomo Failla, fantastic compiler of a kind of secret alphabet, acts like a master of colour manipulation, liberated from its imaginary and mythical weight, with great gesticulatory freshness and makes them play so that they can enter his intimate valency of transparency, luminosity and penumbra, in a playful vertical and horizontal, traverse, circular movement, which allows him again and again to create thematic, noticeable textures, in a dilation of the dominant sign that becomes the diffuser of a winning tonality, so that in the storm of the movement of everything against everything it transforms it into the key to the metaphor, whose work ends as the transporter in its anthropological and cultural essentiality, but always in the vortex of a great freedom that is the manifestation of a great discipline externally, in its phenology, however, certainly internally, in its essence. » – Prof. Francesco Gallo Mazzeo